Episode 32

"Courage Merry, Courage For Our Friends" - Bravery Against Impossible Odds

In this episode, Philip, Matt, and Mark talk about courage, most prevalently concerning Rohan. The horse riders are an unrelenting force fueled by ferocity and righteousness. Sam's faithful courage is also touched upon. 'What can men do against such reckless hate?'

00:00 Introduction

01:14 Rohan Doesn't Look Back

07:30 Defining Courage and Tolkien's Experience

09:38 Deaaattthhh!!!

12:28 An Unrelenting Force

17:16 Courage Beyond the Rohirrim

23:24 Faith, Hope, and Love

24:19 Conclusion

Transcript
Philip:

Welcome, my lords, to the White City, where you will learn

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more about Middle Earth and discover

differences and similarities between

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The Rings of Power show and Tolkien's

books, and whether Amazon's show,

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episode by episode, is worth watching.

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I'm Philip Dudt your host, and I'll

be joined by Matt Vandevort and

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Mark Schaeffer I hope you enjoy.

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Welcome to the White City Podcast.

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Today here I have my co-hosts with

me, Matt and Mark, and we're going to

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be talking about courage and how that

relates mostly to Rohan, especially

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if you've seen in the movies.

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Rohan in like all the battles

is very, very courageous.

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Always fighting to the end, right?

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Making a stand.

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So, Matt, what are your thoughts on this?

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Is, if you can remember, is it the

way that like, Rohan's courage is

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depicted in the movie, similar to

the way it's depicted in the books?

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Or..

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Matt: Yeah, I think that, um, Rohan

and courage in general is really

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interesting in the Lord of the Rings.

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So, I think that, uh, the courage of

Rohan is kind of, I think it almost,

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it's almost played out more that

like, Their cause is so righteous

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that they kind of can't be anything

but courageous when dealing with it.

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So, in the books, one of my favorite

descriptions in the books is the

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description of Theoden, at the Battle of

Pelennor Fields, because he is described

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as looking like a god coming down, just

because he is so, it's kind of a fell

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mood, where he, he realizes that this

is probably going to be his last, fight,

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whether he wins or not, and he just

comes out with such ferocity and, glory

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that he's described as, I think it's,

I think he's described as, like, Orome

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or maybe even Tulkas, where he's just

coming onto the battlefield and he's just

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carried by such a righteous cause that

it's almost that is what is fueling him.

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And I think that it plays into the

themes of courage where, courage coming

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from a specific place, I think, is a

big thing in The Lord of the Rings.

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Where a lot of times it is that, I don't

know if I'm going to live or die, but

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I know that what I'm doing is right

and is, is the correct thing to do.

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Which is why, the one thing that's in,

one of the few things that's in the

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movies that's not in the books that I

think Tolkien would have really liked

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is, Aragorn's speech at the Black Gate.

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Because it's such a moment of like,

Aragorn is just inspiring his troops so

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much because he kind of knows that they're

screwed unless Frodo is successful.

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But, he is like, going down to

his death with a smile and with a

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brave face because he knows that

whether or not he is successful,

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he is so assuredly in the right.

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It's kind of the idea that, like,

there's no shame in a righteous death.

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There's no shame in a glorious death.

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That, I think, is, because it's

really interesting, because you read

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a lot of other Tolkien stuff where

he doesn't really describe, like, he

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doesn't describe battles very often.

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I mean, he does, but they're not

like super, super in depth because,

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like, Tolkien was not a fan of

war for war's sake, obviously.

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He lived through World War I and

experienced that horror, but he

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understood in a way that I think a

lot of people, in kind of a reaction

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against the tide coming out of that,

where people were like, Oh, we don't

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ever want to go to war again, and like,

All war is bad, and things like that.

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Where it's like, Tolkien understood

that sometimes you must do these

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things, sometimes it's necessary.

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Yes, it is sort of horrible to live

through and terrible to deal with, but

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there are causes worth fighting for.

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And I think that Rohan, I think

that Rohan specifically is an

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example of that because, like,

Gondor is getting attacked directly.

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Yes, Rohan gets attacked directly by

Saruman, but especially when it comes

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to the Battle of Pelennor Fields.

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Gondor, or Rohan has promised

in the past to aid Gondor.

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There's technically nothing forcing

Rohan to go to Gondor's aid.

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They could have just said, we have

to shore up our own defenses and,

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you know, see to our own borders.

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But, and they almost do, I think.

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But once they have decided,

no, we're going to help.

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We are going to Gondor.

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We're, we're going to, we are

answering Gondor's call for aid.

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Once you hit that point, it's like,

they know what they're doing, and

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they know what they're doing is

right, and they, they don't waver.

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And you have characters like Eowyn

and Merry, who are told, Don't come

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to war with us, and they go anyways.

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And I think that is, yeah, I think

that that's a very, good view of

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conflict in that kind of the don't

start anything, but if something is

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started finish it kind of mentality.

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But then again, you have like every

everything about Tolkien's like

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he kind of writes a war in in the

most ideal way I guess because you

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have one side is clearly good, and

that's the side that is reacting,

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they are not, they are not starting it.

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But they are finishing it.

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You have, even on the, the evil side,

you have characters, you have people,

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you have the orcs, who are very

just like, they're the evil people.

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But you have, like, the Southrons and

the, Easterlings that come in, that at

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the end, Aragorn, resettles some of them

and, doesn't exactly hold it against them.

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And I think that's another thing where

Tolkien is showing that, Yes you should

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only fight for a righteous cause, but

just because you were fighting for

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a righteous cause does not mean that

everyone on the other side is, like,

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agrees with or is, is evil themselves.

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They might just be caught up in

something that's beyond their control.

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And so you have this sort of ferocity

on the battlefield and magnanimity,

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magnanimity off the battlefield

that is, just comes through very

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clearly through Tolkien's writings.

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Yeah, I, I just think he, he does a very

good job of dealing with sort of the

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virtues of war, like courage specifically,

but the virtues of war in general.

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Mark: Yeah, I think it's

also very interesting.

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So I would define courage as, like

doing what's right, no matter the cost.

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I think that's like really important.

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And there's like a lot of questions,

like, why do we do the right thing?

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What's the, is it because it

has these good consequences?

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And there's like this really

argument for like, for Rohan, right?

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That if they go to the Battle of Pelennor

Fields, they're going to die too, right?

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And they may as well, like, live as long

as possible or try to escape or something.

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But there's this idea, like, hey, even if

it changes nothing, we're going to follow

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our word, and because that's like what it

means to do, like, that's what courage is.

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It's doing what's right, even

if it costs you your life.

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I think that's like something

that really shines through a

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lot in Tolkien's worldview.

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I think what Matt touched a lot on,

I recently read, a book that Phil had

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recommended to me, but A Hobbit, a Witch,

a Wardrobe, and a Great War, or something

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like that, but it went through the C.

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S.

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Lewis and Tolkien and the effects of World

War II, uh, World War I, sorry, on them,

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and their worldviews, and I think it's

really interesting, Matt, you caught a

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lot of this, but like, the way Tolkien

portrays war in Lord of the Rings is very

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interesting in that, like, he, one, he

portrays it as, like, very terrible, like,

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it leaves lifeline scars on everyone.

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Frodo is, like, always, like, bears

the scars from Weathertop, right?

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And these wars, a lot of characters die

in them and stuff, and it's very gruesome.

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But also, like, Tolkien also says there's,

like, glory on the battlefield, right?

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That there is, like,

courage and honor as well.

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And so it's, like, he sort of straddles

two sides where there was this like

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old world where it was like, Oh,

war is this glorious thing, right?

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It's where all the Romans go.

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And, and it's like this.

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And, and he's like, no, it's this terrible

thing where like everyday people are

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dying and like thrown into the trenches.

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Right?

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But at the same time there was this

reaction after the world wars as

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well that like war is always wrong,

there's no honor glory or like

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anything like that on the battlefield.

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That war is just like this

abyss where no one loses.

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And he's like, no, there's

like light in that abyss.

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Right.

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And there's like courage of

everyday people there too.

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I think that's so super cool in that he

doesn't play one extreme or the other.

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He sort of falls in between.

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I think maybe as someone who has no

experience with like armed conflict,

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maybe that's a good place to be.

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But yeah.

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Philip: Yeah, what's interesting is that

I've, looking a little bit into like the

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Pelennor Fields battle from what Matt

was talking about, like beginning with

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like Theoden and like them all yelling

death is like, it's also in the book.

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But thought that was pretty cool.

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Also with like Eowyn like

fighting at the end there with

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Merry is like, all the same, but.

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Matt: Yeah.

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I wanted to I kind of want

to touch on the death thing.

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I think that it's it's fascinating

because, you have this, like, very much

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good side using these kind of sinister,

like, battle cries and things where,

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like, I've always loved, especially

in the movie, I love that scene where

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they're just like charging towards the

orc, screaming death because it's this,

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it really gives off the sense of they

know they're gonna die, but what's scarier

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than an enemy that has nothing to lose?

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Again, it's kind of this feeling

of, ferocity on the battlefield and

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magnanity off the battlefield, ferocity

on the battlefield and magnanity off

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the battlefield because it's like it's

that that idea of like war is terrible

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but when it's required like I will be

terrible and I will fight my hardest

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and go down swinging and have nothing

to lose, and I, I just, I don't know,

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it's, I really love that scene because

you really get this sense of, awe, but

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also just like, how terrifying it would

be to face the charge of the Rohirrim.

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Like, even as the orcs that are

like, bred for war, and, their

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sole purpose is to fight and kill.

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And I love, again, I love that scene in

the movie so much because the shots of

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the orcs faces as they're just like, We're

not prepared to fight an enemy that is,

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like, laughing as they're charging us,

like, that is, that's another scene in

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the movie that I think they just knocked

out of the park because it is, it's just

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so terrifying because you have an entire

group of people that essentially have

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come to die and they are ready for it.

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It's so good.

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It's so good.

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Philip: One of the best scenes, by far.

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Matt: I want to go watch that

scene after we finish recording.

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Mark: I think also like, it's interesting

that I think the way that scene sort of

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plays in the story is that like the orcs

are sort of seen as like sort of maybe

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the determined ones where like they're the

ones who will throw themselves headlong

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into battle and stuff, and, like, get

themselves, like, severely injured.

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You think of, like, Aragorn fighting

that one guy, right, who, like,

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pulls himself on the sword or

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Philip: whatever.

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Gothmog.

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Mark: yeah.

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It's interesting, like, right, this is

the first time you see, like, the good

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characters and their determination and

their determination to stick it out to the

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end that they're here as well, I think,

is also maybe one of, well, that also is

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my favorite scene of the movies as well.

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Matt: It's so good!

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Like at Helm's Deep, it's

interesting, because they're

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fighting out of desperation.

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They're fighting for their lives.

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They're fighting to live

another day, essentially.

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Whereas at Pelennor Fields, they

don't have that restriction.

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They don't care if they die or not.

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And I think that's why, the orcs are

scary at, uh, Helms Deep, because the

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orcs are the ones that, you know, they

have endless reserves and they're,

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coming to fight and everything.

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But, it's only, it's at the Battle of

Pelennor Fields where the tables are

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turned and it's just like, the Rohirrim

are like, they're in the, I mean, I

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think the best word is, it's a fell mood,

where they're like, this sort of grim,

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dark feeling that wraps around to being

like Not not joy, but like you get to

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that point where you realize Oh, this

is it and you just it like it gets so

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dark that you laugh kind of uh and it

I don't know it just comes across as...

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It's just a really powerful scene.

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I also do have to say that, like,

personally, I really love the,

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people coming in to relieve a

hopeless situation kind of trope.

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So, that's kind of why, that's another

reason why I really like, Helm's Deep

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and Pelennor Fields, because there's just

something about that, oh, everything's

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lost, and then just cresting a hilltop,

suddenly you see spears and banners and, I

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mean literally with Rohan, The cavalry has

arrived, and it, it's, man, it's so good.

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And then it helps when you have

a bunch of zombie ghosts that

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come in from the other side too.

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Mark: Yeah, I, think it's, it's

interesting that that seems so powerful

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and yet it doesn't save, like it's

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not like the end of the

story, right, as well.,

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Matt: I think that's another reason

why it's so good in the movie, too,

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is like, yes, it's this charge!

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And then like two minutes later,

they're kinda getting wrecked by the

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Oliphants and the Southrons that come in.

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Because, it's that, that hope

in the face of hopelessness.

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Like, that's another thing.

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I've been thinking a lot about

recently, like, the idea of, the

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hopeless bringing hope to others.

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And I think that's another reason why it's

so good, is that, like, the Rohirrim have,

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again, they're expecting to die, they're

expecting to lose, but they come anyways.

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And for at least that brief moment, the

people in Tirith see their allies show

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up, and come, from their perspective,

they are coming to rescue them, even

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though we know it's not, like the battle

is only won by the barest of margins.

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And so, it's just, it's really

powerful because it's like you

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start asking questions of like,

what's the difference between being

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hopeful and faking being hopeful?

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You get into the real nitty gritty of,

like, characters that have no hope for

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themselves but will not break face in

front of others who believe in them.

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It's just really a fascinating, I

don't want to call it a trope, but

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it's a fascinating theme to deal with.

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Philip: Yeah, Rohan was always

well, I mean, not just for like the

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fact that they are courageous, but

like, they're always my favorite

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faction in the Lord of the Rings RTS

game, The Battle for Middle-earth.

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I always loved like the charging

with the horses, and you could

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like plow through enemies.

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Matt: Yeah.

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I mean, you also have to think about

the fact that, like, that has gotta

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be, like, obviously, even in, like,

human history, like, Cavalry is so

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terrifying if you're just an infantry.

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I love the, the kind of the image of like

the thundering hoves and like the sun

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glinting off armor and stuff, because

and again, I think this is why I love

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the description of Theoden so much,

because it is like an almost supernatural,

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phenomenon of just this horde of, people

just charging towards you to break

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whatever line is being made against them.

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yeah, it's just, I don't know,

it's just really, it's really good.

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It makes me think of the, Sabaton

song about the winged Hussars.

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Like, you get just like these last

stands and these, you know, kind of

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heroic, sometimes feudal, rescues

that it's just, I don't know.

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It's just, Again, it's very,

it's all very compelling.

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Mark: Yeah, for sure.

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Are there any other places we

see courage in Lord of the Rings?

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Matt: I mean, there's lots of different

types of courage and levels of courage.

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Uh, Sam in, Cirith Ungol uh, Cirith

Ungol I think it is, where he...

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Again, I think there's a lot of, and

because Tolkien does, Tolkien plays

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with the supernatural a lot in, in the

stories, and it's really fascinating.

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Especially in the Lord of the Rings, where

it's less clear cut than in the, like...

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In the Silmarillion it's like, yes,

over the sea is where the gods live,

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and, they're kinda directly involved.

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Whereas in, in The Lord of the Rings,

there's a lot of, like, mystique and,

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like, was that a supernatural event, or

was that not, kind of, uh, happening.

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And so, you have Sam, you know,

determining not to give up.

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And going and basically single

handedly, not even fighting anybody.

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I think he fights a few people in

Cirith Ungol, but like, his courage,

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because of his courage, like, this

rumor just spreads throughout the

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tower of like, No, it's a dwarf!

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No, it's a mighty elven prince

who's come to kill us all!

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And it's just like, you have,

like, that's one specific example.

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But, personally I think Sam is the

most courageous character in the story,

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specifically because he kind of falls

into all of like, well, literally

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at the beginning of the story falls

into the story, and he just, he just

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rises to the occasion, but at the

end of the day, he's still, you know,

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the same old Sam who, like, the real

courage was inside him the whole time.

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His courage is kind of a direct,

challenge to the, like, great

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man courage of characters like

Aragorn and, uh, those people.

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Because like, to a certain extent,

they're expected to, you know, go to

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the battlefield and fight these big wars

and be the courageous, flashy warriors.

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But Sam's just a gardener.

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He was not trained for this, he's not

designed for this, but he does it anyways.

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And I think that, again, I, I think that

there is a very strong case be made that

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Sam is the most courageous character.

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By far.

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Mark: Yeah, especially if we define,

like I said, if courage is doing what's

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right, no matter the cost, do you think

of, like, Sam as someone who, like,

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always cost him the most, right, of

terms of, like, leaving his home, and

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he's always the one risking things?

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I think especially of, like, that

scene, even though you're like, this

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isn't facing a great evil, where he's,

like, chasing Frodo into the water,

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right, and Frodo's like, going alone,

and he's like, of course you are...

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And he's doing it because, right,

he gave his word to Gandalf that he

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wouldn't, he could be with Frodo.

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And therefore like, yeah, it's like

this idea of like, I'm going to do

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what's right no matter the cost and

like, Hey, following Frodo is what's

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right, and so I'm going to do it.

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And yeah, I think that's

like a great example.

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Matt: And and also, coming, like,

doing what's right, without compromise.

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So, like, I think one of the

greatest moments of that is, it's

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like, I can't carry the ring, Mr.

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Frodo, but I can carry you.

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In that moment, he knows that technically

the right thing to do is to get the

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ring to the chasm and throw it in.

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But he also knows that he can't

take the ring, because that

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would play into the ring's hand.

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And so he finds the solution of,

Well then I'll just carry Frodo!

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And, it's so good.

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But, through it all, he keeps,

Like, I think courage and hope

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are very, are very tied together.

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He is both the most courageous

and the most hopeful.

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Again, a lot of my touch points for

this are the movies, because it's been

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a long time since I've read the books.

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But,

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Mark: Gotta read 'em again man!

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Matt: I know, I left, I keep

forgetting my copy in Charlotte.

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But, at the end of all things scene,

where right after they've, destroyed the

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ring, and literally, as far as they know,

the world around them is collapsing.

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And they are gonna be overwhelmed

by lava at any moment.

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Sam is the one that still

hopes that he'll see The Shire.

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Cause like, Frodo's just like, I

don't remember what that was like.

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Everything's terrible now.

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But Sam is the one that is keeping

that hope alive, and keeping that

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memory of good times, and that

there can be good times again.

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And even, like, I think symbolically,

he's the carrier of hope, which you

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don't, get until the Scourging of the

Shire, which is, the dirt and the tree,

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the seed that he gets from Galadriel,

who, who, uh, he brings it back to the

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Shire after the Scourging of the Shire.

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Even, like, the Light of Elbereth that,

Frodo has, I think that is a really

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fascinating, like, you can almost see

exactly when Frodo's hope dies, and

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Sam is there to pick it up and carry

forward again, symbolized by the file,

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because basically as soon as they enter

Mordor, symbolically and literally

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because he's carrying the ring, Frodo,

like even for that brief stint that

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Sam carries the ring, after he returns

it to Frodo, Frodo is, from that point

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on, like, he's all, the whole time

he's been struggling with the ring.

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But, when they're in Mordor, it's

just weighing on him so much, that

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he's not, it is almost like Frodo

is doing it simply because it

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is a task that needs to be done.

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He's forgotten why he's doing it,

like, the, the actual, like, I'm

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trying to save, The Shire kind of

thing, He's just doing it because

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he needs to, it needs to be done.

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Whereas Sam, in that moment, steps

up and in his most, one of his most

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courageous moments, which is killing

Shel, or wounding Shelob, is also the

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moment that he symbolizes hope the most,

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Philip: What is courage without fear?

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Mark: Yeah!

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Well, I was going to say what's

interesting, I think, is that maybe

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I would say rather than hope, I'd

say what Sam has is faith because

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if courage is doing what's right no

matter the cost, faith is the belief

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the cost will be worth it in the end.

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and that's Sam believes, right?

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He believes that by doing this, he

holds onto this idea that like, Hey,

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everything will be all right in the

end and we will see the Shire again.

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Matt: I mean, if you wanted to get real

meta about it, you could, or not meta,

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but like really specific about it, you

could pull in, the Faith, Hope, and

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Love trio, where, he has hope because

he has faith, and what he's hoping for

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is that he will save the thing he loves.

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So, like, they're all, tied together.

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I mean, I think it is, it's true that

you will often find, where you find

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one virtue, you will often find others.

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Philip: Yeah, so it's cool to see how

courage, really plays into, like, the good

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side in, uh, in Lord of the Rings story,

and how that really, for instance, brings

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Rohan to victory at the end of the day.

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Yeah.

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Matt: And, I, yeah, I think you

can talk about, like, the orcs

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as the, like, anti courage.

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Because like, they fight amongst

themselves, and they try to escape,

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and they backstab, and they,

they don't have all these things.

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They are fighting because that's all they

know, whereas the other side is fighting

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because of these things they have.

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Philip: Thanks for

visiting the White City.

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Before you leave, please subscribe

to our podcast and check us out

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at thewhitecitypodcast.com or

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the tag @thewhitecitypodcast.

About the Podcast

Show artwork for The White City
The White City
A commentary on The Rings of Power and anything Middle Earth or Tolkien related.

About your host

Profile picture for Philip Dudt

Philip Dudt

Podcast Host